Publications from 2026
Feminist Necropoetics: The Female Corpse in Oda sa Wala (2018), Farrah Freibert
Publications from 2025
Jenifer Michaels. A History., Farrah Freibert
Unauthorized Connections: Censorship as Collective Punishment in the Policing of Bob Mizer’s Social Relations, Farrah Freibert
Publications from 2017
Allegory of the Ring [A Review of Grudge Match], Walter C. Metz
"Eye I Aye" [A Review of I Origins], Walter C. Metz
From Books to Molecules: Adaptation Studies in the 21st Century, Walter C. Metz
The Little 'So-Called Men' Go to the Movies, Walter C. Metz
Unfriending Hawthorne, Walter C. Metz
Publications from 2016
Far From Toy Trains, Walter C. Metz
Home is Where the Art is [A Review of Home], Walter C. Metz
New Englanders, Out of Their Minds, Walter C. Metz
Perambulation, or the Real Miracle of Morgan's Creek, Walter C. Metz
There's Something Rotten in Film Criticism, and His Name is, Regrettably, Not Johnny, Walter C. Metz
Publications from 2012
Because it's real difficult in life: Annie Hall and the Theatrical Imagination, Walter C. Metz
Publications from 2011
A Dreary Life on a Barge: From L'Atalante to Young Adam, Walter C. Metz
In Search of a Third Culture: Towards an Experimental Science and Nature Cinema, Walter C. Metz
Narrative Delay and the Nature of Love in the Short Film, Come, Walter C. Metz
The Mechanics of the Tectonic Man: Comedy and the Ludic Function of A Serious Man and Punch-Drunk Love, Walter C. Metz
Publications from 2010
Down Kerouac's Road to Pixar's Up, Walter C. Metz
With Eyes Upside Down, Can We Still Read?, Walter C. Metz
Publications from 2008
Show Me the Shoah!: Generic Experience and Spectatorship in Popular Representations of the Holocaust, Walter C. Metz
Publications from 2007
Adapting Genesis, Walter C. Metz
Documentary as Adaptation: The Case of Travis Wilkerson's An Injury to One, Walter C. Metz
Shark Porn: Film Genre, Reception Studies, and Chris Kentis' Open Water, Walter C. Metz
Publications from 2006
Atomic Animals: Toward the Re-invention of Natural History and Science Filmmaking, Walter C. Metz
Hollywood Cinema, Walter C. Metz
Who am I in this story?: On the Film Adaptations of Max Ophuls, Walter C. Metz
Woody's Melindas and Todd's Stories: Complex Film Narratives in the Light of Literary Modernism, Walter C. Metz
Publications from 2004
Breaking the Cycle: Die Another Day, Post-colonialism, and the James Bond Film Series, Walter C. Metz
The Cold War's "undigested apple dumpling': Imaging Moby-Dick in 1956 and 2001, Walter C. Metz
Publications from 2003
"Have You Written a Ford, Lately?": Gender, Genre, and the Film Adaptations of Dorothy Johnson's Western Literature, Walter C. Metz
Publications from 2002
From Jean-Paul Belmondo to Stan Brakhage: Romanticism and Intextuality in Irma Vep and Les Mierables, Walter C. Metz
Zola(r) Energy: On the Film Adaptations of Emile Zola's La Bete humaine, Walter C. Metz
Publications from 2001
A Very Notorious Ranch, Indeed: Fritz Lang, Allegory, and the Holocaust, Walter C. Metz
Publications from 1999
Signifying Nothing?: Martin Ritt's The Sound and the Fury (1959) as Deconstructive Adaptation, Walter C. Metz
Publications from 1997
"Another being we have created called 'us'": Point-of-view, Melancholia, and the Joking Unconscious in The Bridges of Madison County, Walter C. Metz
Genre Theory and The Shining, Walter C. Metz
"Keep the coffee hot, Hugo": Nuclear Trauma in Fritz Lang's The Big Heat (1953), Walter C. Metz
Publications from 1993
Pomp(ous) Sirk-umstance: Intertextuality, Adaptation, and All That Heaven Allows, Walter C. Metz