Abstract
This essay questions the presumed modernist authorship of Douglas Sirk by studying the similar gestures in the source novel of All That Heaven Allows (1955), a work by Edna Lee first published in The Woman's Home Companion magazine.
Recommended Citation
Metz, Walter C. "Pomp(ous) Sirk-umstance: Intertextuality, Adaptation, and All That Heaven Allows." The Journal of Film and Video 45, No. 4 (Winter 1993): 3-21.
COinS
Comments
Published in the UIP Journal of Film and Video.