Abstract
This essay explores two 1990s African films--The Emigrant (Egypt, dir. Youssef Chahine, 1994) and Genesis (Mali, dir. Cheick Oumar Sissoko, 1999)--as radical adaptations of the Holy Bible, expressing an Afro-centric view of the foundation myth of the Judeo-Christian world.
Recommended Citation
Metz, Walter C. "Adapting Genesis." Literature/Film Quarterly 35, No. 3 (Summer 2007): 229-236.
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