Abstract
This essay defends Martin Ritt's film version of The Sound and the Fury (1959), starring Yul Brynner as a Cajun Jason Compson, traditionally positioned as one of the most ill-conceived film adaptations ever made, by highlighting how an academic modernist reading of the works of William Faulkner overwrites the intriguing possibilities of melodrama.
Recommended Citation
Metz, Walter C. "Signifying Nothing?: Martin Ritt's The Sound and the Fury (1959) as Deconstructive Adaptation." Literature/Film Quarterly 27, No. 1 (Winter 1999): 21-31.
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