Master of Arts
Department or Program
This investigation uses an autoethnographic approach to investigate the author's personal, phenomenological experience of diplopia, double vision, in order to apply the lived condition to an aesthetic form in performance. Using Kuppers's notion of a “crip aesthetic,” this piece re-functions a potential aspect of disability, the condition of diplopia, as a way of opening up discourses of multiplicity in art and performance. The author also calls for others to integrate non-normative body states into their art praxis.