From Jean-Paul Belmondo to Stan Brakhage: Romanticism and Intextuality in Irma Vep and Les Mierables

Authors

Walter C. Metz, Southern Illinois University CarbondaleFollow

Abstract

This essay compares Romantic literary theory as the road not taken to modernist film criticism, particularly as it pertains to contemporary French cinema.

Recommended Citation

Metz, Walter C. "From Jean-Paul Belmondo to Stan Brakhage: Romanticism and Intextuality in Irma Vep and Les Mierables." Film Criticism 27, No. 1 (Fall 2002): 66-83.